What the Bass Is Doing in Lc5 ONLY YOU: Groove and Basslines

Easy 4 String Bass Lesson & Practice Guide

If you're looking for an Lc5 bass tab that's fun to play without turning your practice session into a technical workout, ONLY YOU ~キミとのキヅナ~ is a pretty cool place to start.

This independent Bass TAB was created and simplified by Akiya369 as an educational resource for bass players who want to study the song from a bassist's point of view. The goal isn't just to follow the notes. It's to understand how the bass works with the drums, guitars, vocals, and overall energy of the arrangement.

The bass part in a melodic rock song like this can look deceptively simple on paper. But once you actually play it with the music, you'll notice that timing, note length, attack, muting, and consistency can make a huge difference.

So grab your bass, plug in, and let's get into it.

Lc5 ONLY YOU ~キミとのキヅナ~ Bass TAB Information

Item	Details
Artist	Lc5
Song	ONLY YOU ~キミとのキヅナ~
Bass	4-string bass
Tuning	D# G# C# F#
TAB Type	Simplified independent educational transcription
Performance	Akiya369 independent bass performance

VIEW THE ONLY YOU BASS TAB PDF

Want the TAB in a more convenient format while practicing? You can access the PDF reference below.

VIEW BASS TAB PDF →

Use the TAB as a guide, but don't let the page become the only thing you're listening to. The original recording is still important for understanding the actual groove, dynamics, phrasing, and feel.

Watch the ONLY YOU Bass Performance

Here's the independent Akiya369 bass performance for ONLY YOU ~キミとのキヅナ~. Use it as a visual reference for the bass part while following along with the TAB.

Why ONLY YOU Is Worth Studying on Bass

One thing I like about studying melodic Japanese rock on bass is that the instrument doesn't always need to scream for attention. Sometimes the bass does its best work when it quietly keeps everything connected.

That's a useful lesson with ONLY YOU. Instead of approaching the song like a challenge where the goal is simply to hit every note correctly, try listening to how the bass contributes to the movement of the whole arrangement.

The bass has several jobs happening at once:

Keeping the rhythmic foundation stable
Connecting the drums with the harmonic movement
Supporting the guitar parts
Adding weight underneath the vocals
Helping transitions feel natural
Maintaining energy without overcrowding the mix

That combination makes this song useful practice for players who want to become more musical rather than simply faster.

Start With the Pocket, Not the Notes

Before trying to memorize the entire bassline, find the pocket.

The pocket is basically that sweet spot where your timing feels locked into the rhythm section. You're not rushing ahead of the drums, and you're not dragging behind them. The notes sit comfortably inside the groove.

Try this:

Listen to the song without your bass.
Tap along with the main pulse.
Pay attention to the kick drum.
Listen for where the bass seems to reinforce the rhythm.
Only then pick up your bass and start playing.

This sounds ridiculously simple, but it can completely change how you learn a song.

Why the Kick Drum Matters

Bass and kick drum are often the first combination you should pay attention to when learning a rock song. They don't necessarily play exactly the same rhythm all the time, but they need to feel connected.

If your bass notes consistently land too early or too late compared with the kick, the groove can feel loose even when you're technically playing the correct notes.

Quick Test

Mute the guitar and vocal parts mentally for a moment. Listen only to the relationship between your bass and the drums. If that combination feels solid by itself, you're on the right track.

Don't Treat Every Note the Same

One of the easiest ways to make a bassline sound robotic is to give every note the exact same attack and length.

Even when the written notes stay the same, your performance can have more personality through articulation.

Element	What to Control	Practice Idea
Attack	How strongly the note starts	Play the same phrase softly, then normally
Sustain	How long each note rings	Practice clean endings
Accent	Which notes receive extra emphasis	Accent only selected notes
Muting	How unwanted ringing is stopped	Practice short passages very slowly

Think About the Bass as a Bridge

A useful mental trick for this song is to think of the bass as a bridge between different parts of the arrangement.

The drummer gives you rhythmic movement. The guitars give you harmonic and melodic information. The vocalist carries the main melodic focus. Your job is to help those elements feel like they belong together.

That doesn't mean you have to copy the guitar.

In fact, trying to imitate every guitar movement on bass can make the arrangement feel crowded. Instead, pay attention to the moments where the bass needs to reinforce the harmony and the moments where it should simply hold the groove.

Ask Yourself Three Questions

Is my bass helping the rhythm feel stronger?
Is the low end staying clean?
Am I supporting the other instruments instead of fighting them?

If the answer to all three is yes, you're probably heading in the right direction.

Use D# G# C# F# Tuning as a Fretboard Exercise

This arrangement uses a four-string bass tuned to D# G# C# F#, which is a whole-step-down tuning compared with standard tuning.

Don't think of the lower tuning as simply a way to make the bass sound heavier. It can also be a great opportunity to improve your fretboard awareness.

String	Tuning	Practice Focus
4th	D#	Low-end awareness
3rd	G#	Root-note reference
2nd	C#	Position movement
1st	F#	Higher-register control

Don't Automatically Hit Harder Because the Tuning Is Lower

This is a common trap with down-tuned bass. The lower tuning already gives you additional low-end weight, so increasing your attack too much can make the sound muddy.

Try a lighter right hand first. Let the tuning provide the depth while you focus on keeping the notes clear.

Right-Hand Control Makes a Bigger Difference Than You Think

You don't need a complicated picking technique for this song. What matters more is consistency.

If you're using two-finger fingerstyle, keep the movement small and relaxed. Avoid lifting your fingers too far away from the strings between notes. That extra movement can make your timing less consistent, especially when the tempo increases.

Try the "Small Motion" Drill

Choose a short bass phrase and play it repeatedly at a comfortable tempo. Keep your plucking fingers close to the strings and concentrate on producing an even attack.

Then record yourself.

You may be surprised how much cleaner your playing sounds when your right hand stops doing unnecessary gymnastics.

Make the Chorus Feel Bigger Without Playing Harder

One of the coolest skills you can develop as a bassist is creating the feeling of a bigger section without simply hitting the strings harder.

You can create more energy through:

Slightly stronger attack
More confident note starts
Cleaner sustain
More controlled accents
Better synchronization with the drums
Reducing unnecessary string noise

In other words, energy comes from control, not just force.

Practice the Transitions, Not Just the Main Sections

A lot of players practice a verse until it sounds good, then practice the chorus until it sounds good, and assume the song is ready.

Then the transition happens.

Oops.

Transitions deserve their own practice time because that's where your brain has to switch from one pattern to another.

Build a Transition Loop

Take the final few beats of one section and connect them directly to the first few beats of the next section. Loop only that small area.

Once it feels automatic, expand the loop by one or two measures on each side.

This method is much more efficient than repeatedly playing the entire song from the beginning whenever one transition gives you trouble.

Three-Speed Practice Method

Level	How to Practice	Main Goal
Slow	Play comfortably below the original tempo	Accuracy and clean fingering
Medium	Move closer to the original feel	Consistency and groove
Full	Play with the original recording	Musical feel and endurance

Use a Metronome Before You Use the Full Recording

Playing along with the original song is fun, but the recording can sometimes hide small timing problems because there are so many instruments happening at once.

A metronome removes that safety net.

Start with a simple section of the bassline. Set the tempo lower than the original and focus on making every note land consistently. Once you can do that without thinking too much, increase the tempo gradually.

The "No Rush" Rule

If your fingers start speeding up because you're anticipating the next note, stop and reset.

The goal isn't to survive the tempo. The goal is to make the tempo feel normal.

Listen for Space Between the Notes

Bass players naturally pay attention to the notes they're playing. Experienced players also pay attention to the silence between those notes.

That space is where muting, groove, and articulation live.

Try playing a short phrase and deliberately focus on the moment each note ends. Are you stopping the string cleanly? Is another string ringing underneath it? Are your rests actually silent?

Those tiny details can make a surprisingly big difference in a full mix.

Common Problems When Learning ONLY YOU

Problem	Why It Happens	Fix
Bass sounds muddy	Too much attack or unwanted ringing	Use lighter attack and improve muting
Timing feels unstable	Playing from muscle memory without a pulse	Practice with a metronome
Transitions feel awkward	Sections practiced separately	Loop the transition itself
Everything sounds flat	Same attack on every note	Experiment with dynamics and accents
Fingers get tired	Too much unnecessary hand movement	Relax and use smaller movements

Record Yourself — Seriously

You don't need a fancy studio setup for this. Even a simple phone recording can reveal things that you won't notice while you're busy playing.

Listen back and ask:

Are the notes landing consistently?
Are some notes noticeably louder than others?
Is the low end clean?
Are the transitions smooth?
Am I rushing when the arrangement gets busier?
Do the note endings sound intentional?

Don't judge the recording by whether it sounds "perfect." Use it as information. Every recording gives you something to work on.

Try Playing Without Looking at the TAB

Once you've practiced a section several times, close the TAB and see how much you can remember.

If you get stuck, don't immediately look back at the entire passage. Try to figure out the missing part by listening.

This changes your brain from "Where does the TAB tell me to go?" to "Where does the music tell me to go?"

That's a much more useful skill for long-term musicianship.

A 20-Minute ONLY YOU Bass Practice Routine

Time	Exercise	Focus
0–3 min	Listen to the song	Find the groove
3–7 min	Slow TAB practice	Accuracy
7–11 min	Metronome practice	Timing
11–15 min	Transition loops	Section changes
15–18 min	Play with recording	Feel and endurance
18–20 min	Record yourself	Self-review

How to Get a Cleaner Low-End Tone

Because this arrangement uses a lower tuning, clarity becomes especially important.

You don't necessarily need more bass or more gain. In fact, adding too much low-end boost can make the notes harder to distinguish.

Start With Your Hands

Before changing your EQ, check your technique. Make sure unwanted strings aren't ringing and that your plucking attack is reasonably consistent.

Then Check Your Tone

A useful starting point is a balanced tone with enough low end for body, enough midrange for note definition, and controlled highs for articulation.

The exact settings will depend on your bass, strings, pickups, amplifier, and playing environment, so don't feel like you need to copy someone else's EQ numbers.

Simple Rule

If you can hear the pitch and rhythm of every note clearly, you're probably closer to a useful practice tone than if the bass simply sounds huge.

What This Song Can Add to Your Bass Vocabulary

After learning ONLY YOU ~キミとのキヅナ~, don't just move on to the next song and forget everything you practiced.

Take a few ideas from the song and carry them into your own playing.

Groove: Keep the rhythm section feeling connected.
Consistency: Make repeated phrases feel intentional rather than mechanical.
Articulation: Control how each note starts and ends.
Dynamics: Create energy without simply playing louder.
Muting: Keep the low end clean and controlled.
Arrangement awareness: Know when the bass should support and when it can move.
Listening: Use your ears alongside the TAB.

These skills are useful whether you're playing Visual Kei, J-Rock, pop rock, punk, alternative rock, or your own original music.

Quick ONLY YOU Bassist Checklist

Skill	Ready?
I can play the main bassline slowly and cleanly.	✓
My timing stays stable with a metronome.	✓
I can control unwanted string noise.	✓
I can play the transitions without stopping.	✓
My attack stays consistent.	✓
I can play part of the song without looking at TAB.	✓
I have recorded myself and listened back.	✓

More Lc5 Bass TABs

Want to explore more Lc5 bass arrangements? Visit the main Lc5 Bass TAB collection for additional songs and future additions.

Explore the Lc5 Bass TAB Collection →

You can also explore more Japanese rock and Visual Kei bass resources through the main J-Rock collection.

Explore J-Rock & Visual Kei Bass TABs →

About This Bass TAB

This ONLY YOU ~キミとのキヅナ~ Bass TAB was independently transcribed and simplified by Akiya369 for educational bass practice and study.

The purpose of this arrangement is to provide a practical reference for players who want to explore the bass part without relying exclusively on the original recording. The TAB is intended as a learning aid, and players are encouraged to listen to the original music to develop their understanding of timing, dynamics, articulation, structure, and overall feel.

The performance featured on this page is an independent bass recording by Akiya369 and is presented as a demonstration of the bass arrangement.

Copyright & Educational Note

This Bass TAB is an independent educational transcription and simplified arrangement created by Akiya369. Akiya369 does not claim ownership of the original song, composition, recording, lyrics, artwork, or other copyrighted material associated with Lc5 or its respective rights holders.

The Lc5 name and song title are referenced only to identify the musical work being studied. This page is not presented as an official Lc5 TAB or as an official publication by the band or its rights holders.

No song lyrics are reproduced on this page. The original recording is referenced only as an additional listening resource for educational practice.

If you are a copyright owner or authorized representative and believe that any material on this page requires review, please contact Akiya369 through the site's Contact page.

Keep Practicing

The cool thing about learning bass isn't just being able to play one more song. It's picking up small skills from every song and slowly building your own vocabulary.

With ONLY YOU ~キミとのキヅナ~, start with the pocket. Lock in with the drums, keep your low end clean, pay attention to note length, and don't be afraid to leave some space.

Once the notes become comfortable, stop staring at the TAB for a while and listen. Try to feel where the bass belongs inside the arrangement rather than thinking about every individual note.

That's when a Bass TAB stops being just a map and starts becoming a real practice tool.

Akiya369